Die Walküre (1990)
Overview
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | de |
| Popularity | 0.717 |
Directed By
Brian Large
Otto Schenk
Crew
Brian Large
Richard Wagner
Otto Schenk
Richard Wagner
James Levine
Louisa Briccetti
Günther Schneider-Siemssen
Rolf Langenfass
Gil Wechsler
Günther Schneider-Siemssen
Peter Gelb
Anne Cauvin
Phebe Berkowitz
Jay David Saks
Otto Schenk
Victor Callegari
Bill King
Millicent Hacker
Ellen Rudolph
TOP CAST
Hildegard Behrens
Brünnhilde
James Morris
Wotan
Jessye Norman
Sieglinde
Christa Ludwig
Fricka
Gary Lakes
Siegmund
Kurt Moll
Hunding
Katarina Ikonomu
Helmwige
Martha Thigpen
Ortlinde
Pyramid Sellers
Gerhilde
Joyce Castle
Waltraute
Diane Kesling
Siegrune
Jacalyn Bower
Rossweisse
Wendy Hillhouse
Grimgerde
Sondra Kelly
Schwertleite
James Levine
Self - Conductor
Similar Movies
Adolphe Appia Visionary of Invisible
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
Marco Polo (An Opera Within an Opera)
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
Madama Butterfly
Opera at La Scala Milan
Lulu
Live performance of Alban Berg's opera at the Gran Teatre del Liceu, Barcelona. Inspired by "Pandora's Box" by Frank Wedekind, Lulu describes the social ascent and the demise of a deadly woman, driven by men to behave in murder, to her own. dead.
Simon Boccanegra
Live from the Metropolitan Opera: Simon Boccanegra
La vie parisienne
Live performance from Opéra National de Lyon.
River of Fundament
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
Adriana Lecouvreur
In the present stylised production by Lorenzo Mariani the 'violet-perfumed murderess' is taken by mezzo-soprano Marianne Cornetti, one of the most in-demand representatives of her vocal category. Opposite her, in the role of Adriana, is a soprano who as a Verdi and verismo specialist also appears regularly at all the major international opera houses, Micaela Carosi. The 'cock-of-the-walk' role is sung by the world-class tenor Marcelo Álvarez. His timbre, velvety smooth yet robustly virile, is ideally suited to a vocal characterisation of the idolised Maurizio. Conductor Renato Palumbo is very much at home with Cilea's operatic masterpiece, since the Italian Romantic and verismo periods are at the core of his extensive repertoire.
Prince Igor
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
The Metropolitan Opera: Così Fan Tutte
Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.
Così fan tutte
Live performance from the Metropolitan Opera, 27 February, 1996.
Die Fledermaus
Live performance from the Metropolitan Opera, 31 December 1986.
Eugene Onegin
Live performance by the Bolshoi Theatre at the Palais Garnier, Opéra National de Paris, 2008.
Tchaikovsky: Eugene Onegin (Komische Oper Berlin)
Live performance from the Komische Oper Berlin, February 15 2016.
Eugene Onegin
Live performance for Garsington Opera, June-July, 2016.
Gounod: Faust
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Francesca Da Rimini
LIve performance of Rachmaninoff's opera from the Opéra National de Lorraine, Nancy, 15 February 2015.
Offenbach: The Tales of Hoffmann (Bregenz Festival)
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).
La serva padrona
Pergolesi Opera Buffa